Adrian Rew Slot Machine Music

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1. Casino Slot Machine Music
2. Slot Machine Sounds
3. Adrian Rew Slot Machine Music Videos

Slot Machine Music by Adrian Rew. This jam was posted by 2 people but sumit was first.

#004: Dominique Lawalrée - First Meeting LP
(a co-release with Catch Wave Ltd.)

Casino Slot Machine Music

Dominique Lawalrée (b. 1954) is a composer born and based in Brussels. First Meeting is Lawalrée's first archival release to date. Culled from four different albums originally self-published on his private label Editions Walrus, circa 1978-1982, this compilation highlights the composer's unique sense of ambient and minimal composition. Originally considered for release on Brian Eno's Obscure Records, Lawalrée's music is now no longer hidden.

In this collection the listener finds the sounds of piano, synthesizers, percussion, Wurlitzer, organ, and voice, all performed by Lawalrée. Using these tools Dominique creates miniature themes that gallop across the speakers in slow motion, stretching our normal sense of dynamics and color, effortlessly widening the stereo plane. On “Musique Satieerique,” Dominique pays homage to the influence of Satie with simple repeated piano figures and a lush field of organs and flutes. And on other selections, like “La Maison Des 5 Elements,” he takes a more wistful, ambient approach, layering keyboard lines, and invoking found/tape sounds to create a hypnogogic world of his own. Childlike in its playfulness and surreal to the bone, the music spins like a carrousel placed inside the Rothko Chapel. Lawalrée’s sense of timbre, tone, and overarching composition is like an impression of a home movie whose charm lies in its knowledge of intimacy, shared by few. An incantation of innocence.

1. Slot Machine Music Vol. 2, an Album by Adrian Rew. Released in January 2014 on Ergot (catalog no. Genres: Field Recordings. Featured peformers: Adrian Rew (recordings, liner notes).
2. Adrian Rew tells Alexander Iadarola how he came to take a recorder around American casinos for his Slot Machine Music albums, inspired by Georges Bataille and attempting to enter the mystical state of the gamblers' 'zone' Gambling is an insane concept: putting one's self at risk for the sake of a highly contingent, purely possible other self.

'a quiet, understated music that is both touching and elegant'

Slot Machine Sounds

'what is most affecting is the feeling of parabolic calm that can emerge from this music, ascending gradually. It's atypically devoid of New-age cliché, closer somehow to a secular revelation than to any protracted or consensus bliss.'

'Part of the charm of Lawalrée's work, and perhaps why he never broke through into broader consciousness, was the obliquely personal nature of his albums, which sometimes felt like improvised sound diaries, or like incremental explorations of deeply indivualistic themes… A beautiful rediscovery.'

'Harold Budd is an obvious reference point, but Lawalrée's brilliantly economical music eschews the grand, systematising ambitions of most minimalist music, and has a tactility and sense of particular time and place that places it closer to Angelo Badalamenti, Popol Vuh's Hosianna Mantra, or even Broadcast. This may be the first meeting, but hopefully not the last.'

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Adrian Rew Slot Machine Music Videos

I’ve never been one to listen to much in the way of field recording. I find most field recordings to be dry and academic in purpose or even worse, simply boring. But recently I came across a fascinating and enjoyable work of field recording by Ergot Records head Adrian Rew. So far, the work consists of two CD-Rs Slot Machine Music, and Slot Machine Music Vol. 2. As the name suggests these are recordings of the sonic environment created by modern slot machines in casinos. They have been recorded in a number of casinos in the Midwest. The CD-Rs come with a rigorous artists statement that points to the precisely controlled environments of casinos as the object of study. Architecture, sights, smells and, yes, sounds, are all engineered in the casino environment to make gamblers lose a sense of time and place and to be wholly engaged in playing for just a little bit longer. This state of suspended animation is called “The Zone,” and Slot Machine Music is an attempt to document the sonic qualities of the Zone. Casinos not taking kindly to any kind of recording, Rew had to make clandestine recording from within his jacket, and the songs across these two CD-Rs represent the most sonically interesting moments of the raw recordings. Okay, all this is intellectually interesting, and it opens up questions about the ethics of modern gambling, but what does it sound like? Well, it’s actually quite psychedelic, with a strong dose of hypnogogia a la James Ferraro circa 2008. The machines are mostly tuned to the key of C giving the cacophony of buzzes, dings, jingles, and fanfares an uncanny homogeny. The recordings have highs and lows, relatively empty spaces of ambience and spaces where machines go off all around creating a maximal, heady wave of sound. Bits and pieces of conversation are picked up and gamblers commiserate with and congratulate each other. The recording of the sound, as proposed by some theories of field recording, does not give the environment a new life. Rather, this recording captures the life that already exists, and what a very, very strange life it is. Most importantly, the recordings are quite enjoyable to listen to; the sounds have been precisely engineered to be as such. Borderlands 2 slot machine orange weapons. These CD-Rs have not sold me on field recording as a whole, but I can’t deny that they are both fun and challenging in the best ways.

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